Originally posted on Hollywood Life:
When Kristen Stewart boarded a private jet in Van Nuys, Calif. on Dec. 9, many wondered if she was heading to London to visit Robert Pattinson. But it turns out the fashion lover was flying to Dallas, Texas to support her friend, the legendary Karl Lagerfeld, at his glamorous Coco Chanel Métiers d’Art Fashion Show on Dec. 10. How fun!
View original 368 more words
Developed for film and popularized by the ’60s Mod movement, faux lashes hit it big when supermodel Twiggy made them part of her trademark look. These days faux lashes are still super popular, but often abused or misused. Many makeup artists and consumers don’t seem to comprehend that the primary goal of a faux lash is to make people think it’s real, rather an exotic caterpillar taking up residence on your face.
With lashes, I prefer subtlety—something that allows me to make the eye look its best without looking obviously faux. Of course, there are times when you may want a more extreme look. But whether you want to accomplish an exaggerated, dramatic eye or just add on lashes for more volume, faux lashes take practice to master.
Falsies come in three materials: human hair, animal hair, and synthetic fiber. (The latter was overlooked in the past, but the latest crop of synthetic lashes are completely believable.) There are four basic types of lashes available.
A standard, one-piece faux lash attached to a band that comes in a variety of lengths and styles.
Single faux lashes, attached separately; each mimics one individual hair.
A small clump of individual lashes bound together, usually in a V shape, to give more volume.
Individual tips that are applied to give the illusion of a real lash, but just longer.
Individual and clump lashes also come in both “knotted” and “knot-free” versions. Knotted lashes are bound by a knot, which creates more surface area for glue and makes them easier to attach; knot-free lashes don’t have a knot joining them. As such, they are more difficult to apply, but also look more natural. Within all of these types, you’ll find everything from undetectable, natural-looking bands to basic individual lashes to fantasy looks adorned with feathers or crystals. Lashes in other-worldly colors and exaggerated lengths or shapes are easy to find these days, too.
Whether you want to apply a few individuals for subtle volume, add clumps on the outer lashes, or do a complete set of full lashes for sexiness or drama, here are some ground rules for getting the most out of this gorgeous—but tricky—beauty regime.
Fit and finish are important to the overall eye makeup design, as you don’t want the lashes to overwhelm the face. So, first things first: make sure you select the appropriate style, size, length, and intensity for the eye shape that you’re working with, as well as the overall look you’re going for.
One rule of thumb is to look at length and thickness. The longer the length or the closer the lashes are packed, the more likely it’ll be obvious that your faux lashes are false.
Lashes can be cut into the right shape for any eye. I prefer to customize faux lashes by choosing several different shapes that fit my client. Then, I combine them in the application.
Here is a basic breakdown of the many shapes available so you can determine when, where, and why to choose a particular faux lash. This can also help you identify what you need to carry in your makeup kit.
The lashes that might fall under these categories are an ideal option for adding fullness or featuring a natural look with a little more finish. A great trick to keep the look natural is to cut off the outer part of the lash and use the middle piece at the outer corner of the eye. The end of a faux lash can sometimes look much more exaggerated than the middle piece.
Spike lashes—those that are thicker at the base or sharp or pointy on the end and clumped together—can help you get a retro or vintage eye look. Spikes work equally well for period-inspired makeup (especially a ’70s look) as they do when layered with individuals for a modern red carpet look.
Some types of eyes, like smaller eyes or shallow-lidded ones, can’t carry several sets of lashes. If you want to add drama and extreme dimension without extra weight, a crisscrossed style lash, in which hairs overlap into an “X” shape, can be your best friend.
For Old Hollywood excitement or to complement cat-like eyeliner, these shapes are seamless. They’re an excellent addition to liquid liner and can really give leading-lady eyes to any ingénue.
When you want drama that does not necessarily look natural, these lashes are for you. Whether you want to portray the aforementioned Twiggy look or a super-lashy look like those favored by Real Housewives and Kardashians, these lashes pack a punch.
Wisps are bands comprised of faux lashes of different lengths, grouped together in varying layers and sections. It’s a versatile shape that can be glamorous, elegant, or simply give a lift to a natural, romantic eye.
Sometimes you want to get detailed with your look. Whether you are wearing knotted or knot-free versions, clump lashes can be worn on their own or layered with a strip. Either way, they can make eyes appear more open and draw attention where you want it along the lid.
Single lashes are fantastic for a really natural look. I use a stronger glue and apply these below the actual lash to add length and volume. Even your closest friends won’t notice.
I like to carry an assortment that allows me to achieve whatever comes my way—from a Florence and the Machine video to a morning television makeup job. For me, that means carrying a pack in my kit that includes knot-free individuals, spikes, and wisps in brown and black. I feel like if I always have these on hand, I can make them into anything I need. I also add lashes in for specific jobs if I deem it necessary. A music video might require something more fantastical, while a photo shoot might need something retro-inspired. Regardless of your work or looks, here’s something I do know: faux lashes allow us to take ordinary makeup and make it extraordinary. That is most definitely true.
Eye shadows offer endless creativity. They just may be the most exciting product for both makeup artists and makeup lovers to buy. These days, the number of colors, textures, and formulations is near infinite. But with all the choices, compiling a makeup kit or adding to your everyday shadow regime can get a little mind-numbing. Here are a few things to think about as you build your perfect eye kit.
Even in the basic powder shadow category, brands can be very different due to the amount of pigment versus filler they use, as well as the process in which they press product into pans. Experiment and find the formulas that work best for you and deliver the results you desire. For instance, you might prefer a highly pigmented powder with a small amount of filler that feels dry to the touch, or favor a shadow that feels soft and creamy on your brush and has a lighter pigment load and color payoff. It’s all about discovering your preferences and finding your favorites.
I’ve found that palettes are the perfect way to carry makeup for professional work, and they also fit well into a tote or makeup bag. You can purchase pre-made palettes—available in pretty much every price point—from many brands, or buy brand-specific empty palettes and build your own customized collection within one color range. You can also buy empty palettes or containers that allow you to add in pans of eye shadow from multiple brands.
A word of advice: keep it simple. When compiling your palette, don’t get caught up in the excitement of buying the most daring shades. So many artists want to get all of the brightest and boldest colors and textures, but basic shadows will be the basis of your application and lay the groundwork for great makeup.
I recommend checking the quality of the product before you purchase. Look at reviews online and speak to other artists about what they love or perhaps dislike about the product. I’m not a product snob, but the difference in quality between pro and prestige versus mass products can be obvious and measurable. A few key questions to ask yourself:
• Does the shadow allow you versatility in application? Meaning, can you apply it both sheer and with more full coverage?
• When using a variety of brushes, will it have a smooth consistency?
• Is it durable for high-intensity jobs and situations? In other words, does the product cause a lot of fallout on the face during application?
A highlighting palette made up of lighter shades and base shadows is an absolute must-have. This group includes white, light beige, cream, vanilla, peach, and buttercream shades, as well as soft pinks and apricots. The lighter colors can be used to draw attention to a feature, cause a certain area to pop, or simply make a part of the face look more dominant.
I prefer to keep these shades in matte or satin consistencies, because you don’t always want your highlight shades to have texture. Base shades should always be matte, or else the shimmer or frost will show through.
Next, to build in shape and definition, think about a contouring palette which include darker colors that will recess an area or make it appear smaller. You can also use contouring shades to line and define brows, eye lids, or any area that needs depth or dimension. This group of shades should contain matte shadows in various cool and warm browns, deep burgundies, rich greys, and neutrals on the darker side of the spectrum—including black.
Once you have your fundamentals for shape and form, let your creative side come into play by building your color palettes. Here, let your imagination run wild. But still, be strategic and think about what you can combine for unlimited possibility.
I prefer to separate palettes into warm and cool, and then arrange into common color families. I also like to keep matte and satin textured shadows separate from frosts, shimmers, and glitters so loose particles don’t end up compromising your flat shadows. Think about what works on your clients and what you need to complete the job at hand. Represent all of your primary and secondary colors, tints, shades, and tones. Then, go crazy with an endless array of your faves: deep rich reds, bright yellows, cool blues, greens, pinks, violets, indigos—whatever your heart desires in both soft and strong colors!
You will also need a texture palette—something made up of various frosts that highlight, change the surface, or add impact. Metallic eye shadows also fit well into this group and allow you to transform any eye into numerous looks. Stay aware of seasonal trends and what’s on the red carpet and runway for the latest must-have shadow shades.
Now you know how to meet the needs of any client. Eye shadows can lay the groundwork for a look’s shape, texture, or tone, from traditional to bold. Be smart about your palettes and arm yourself with the right shadows, so you can truly transform any application with a simple swipe.
Eyebrows are one of the most misunderstood areas of makeup artistry, and having an artist’s understanding of eyebrows is crucial to impeccable makeup.
As a makeup artist, you need to be situational when correcting, filling in or shaping a brow — making decisions based on the needs of your client and the final look you trying to create. Many makeup artists want to add a dramatic eyebrow into every makeup application, but an inappropriate eyebrow can age your client, distort the shape of the face, provide an unwanted emotion or take away from the desired focal point of your makeup design.
Tweezers and scissors are your first line of defense against offensive brows. With these tools, you can create shape as well as adjust thickness and length. Every artist should have a great pair of slant tweezers (some artists favorites are Tweezerman and Lavaque) as well as safety scissors, which are essential for trimming and adjusting.
For a true artist trick, try a pair of “twissors” (a scissor-tweezer hybrid) from Alcone or Cinema Secrets. Because they can cut hair really close to the skin without cutting the skin itself, twissors make eyebrow sculpting even easier: you can get rid of hairs that are too long or growing in the wrong direction without the time commitment of tweezing, or redness it can cause. I also recommend carrying a brush or comb for setting the brow hairs into place.
Many artists leave eyebrow pencils out of their makeup arsenal, but don’t make that mistake—pencils are a must-have. Pencils work perfectly on brows, because the marks sit on top of the skin and add dimension, providing volume to a flat or thin brows. Use them to fill in sparse or patchy eyebrows with a natural look that mimics missing hairs. I prefer mechanical pencils, as the thinner tip allows for precise application and appears more natural. My favorites include Kevyn Aucoin’s The Precision Brow Pencil, MAC Eye Brows, and Anastasia Brow Wiz.
Shadows and other powder-based products bring dimension and depth to brows, especially those that might are on the too-full side. They are also ideal for long wear and allow a range of effects from natural to dramatic. I prefer those that are dense in pigment and have a matte finish. I recommend carrying powders from soft taupes to rich browns to complement natural eye and hair hues, as well as burgundy and burnt sienna for matching processed hair colors.
Gels and waxes are wonderful for lightening a darker brow or holding a disorderly one in place. Softening or sculpting the brow can take years off of the face and can help spotlight certain elements of the face. For example, if you want the focus to be a smoky eye, lightening up the eyebrow a few shades can direct attention where you want or need it. For a collection that’s as universal as possible, carry brow gels or waxes in clear, blonde, ash, and taupe.
For a modern brow, you need to see skin and individual hairs. I also aim to have high and low points in every brow look I create. A great pro trick is to use a brow pen or gel liner with a small precision brush to mimic the look of individual hairs. Just a few subtle strokes can make even the thinnest or most over tweezed eyebrows look terrific. I love pens specifically designed for this purpose, but a brown gel liner from any line will do.
Great eyebrows are a secret essential element. When applied correctly, an eyebrow frames the eye, flatters the face, and provides balance without competing with the rest of your makeup. Be prepared to deliver the perfect eyebrow with every application, and your makeup will always be beauty page perfection.
Originally posted on Black America Web:
Can you beauties believe that New Years Eve is just three weeks away! What are you wearing to ring in 2014? Whether you plan on keeping it small with friends at a house gathering or ringing in the new year in down at Times Square with thousands of fashionistas, you’ve gotta dress the part. It’s time to celebrate!!
My never-fails formula for New Years includes a bodycon dress (shimmery, glittery or classic black or white does the trick), a fun clutch and a pair of knockout statement heels. Check out some of my ideas below!
New Years Eve Dress #1: Sparkle It Up
Start with a $90 River Island aztec print sequin bodycon. Pair it with some Nasty Gal statement pumps and a clear clutch. Accessorize your look with a pair of standout earrings. For beauty try a plum lip and glittery mani. Layer it all…
View original 126 more words
Originally posted on Hollywood Life:
Selena Gomez, 21, witnessed best friend Demi Lovato, 21, going through the toughest time of her life in 2010, when she spent three months in rehab for emotional and physical issues at the young age of 18. Selena was there for her friend then, and continues to be, after recently going to listen to Demi speak at a sober living home. Demi reportedly also told the group why Selena is such a good friend.
View original 279 more words
Originally posted on the CITIZENS of FASHION:
The Givenchy Over Rose Collection Spring 2014 took its inspiration from the spring’s roses . Star of the collection are the Prismissime Lip & Cheek Palette which features a pink shade for everyone. The ad campaign in support of the Over Rose Collection is the model Ava Smith.
The collection will be available in Japan from January 10 and internationally from 21 January and it includes the Prismissime Euphoric Pink Lip & Cheek Palette (£44.50), Rouge Interdit Shine lipstick in Rose Sensation (£22.00), Le Vernis nail polish in Rose Addiction (£15.50), Prisme Yeux Quatuor Eye Shadow in Rose Attraction (£36.00), Mister Easer Imperfection Correcting Pen (£21.50), Noir Couture Mascara (£32.50).Givenchy Over Rose Collection Spring 2014:
View original 14 more words
Originally posted on Hollywood Life:
Amy Adams heats up the Vanity Fair January 2014 cover, where the redhead oozes Hollywood glamour in the stunning shoot. From her cocktail dress to her blinding bling, the 39-year-old looks every inch a bombshell as she poses with one hand on her hip with her signature locks cascading down her back.
View original 234 more words